New Abstract Paintings & Prints on Canvas by Lynne Taetzsch607-273-1364 Lynne@ARTBYLT.COM
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Original acrylic paintings on canvas.
Limited edition giclee prints on canvas.
1.5 inch thick, image wrapped, requiring no frame.
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60 day return policy: refund or exhange for any reason.
Free shipping to the US and Canada. Inquire about other countries.
Do you have a special request in size or colors?
Do you need to match particular colors in your home? Or do you love a painting that has been sold or is in the wrong size?
Let me paint a commision for you.
I used to think I would hate painting commissions, because my work is spontaneous and born of the moment. But when I actually tried one, I found it was fun to revisit compositions, colors and themes I'd painted before. Each time, there is variation and improvisation which makes every painting unique, and my clients have been very happy with the results.
Commissions come with the same return gaurantee as all my art.
If you are interested in a commission, call me at 607-273-1364 or email Lynne@artbylt.com.
Find out more about Giclee Prints.
All square paintings and prints
All horizontal paintings and prints
All vertical paintings and prints
All original paintings on canvas
Art Cards & Prints at Fine Art America.
Energy is the life force that is present in all good art. This is not something that is easily defined, but it is the opposite state of static flatness. It is this energy that makes a painting speak to you, and makes an artist's work original and identifiable as the work of that artist. Energy is created out of the artist's materials and tools, but the end is more than the means in the same sense that a musical composition is so much more than a collection of notes.
Often artists who are used to drawing and painting what they see around them have trouble figuring out how to begin making non-representational abstract art. Should they plan what to paint in their heads first? Make a small sketch of the design? Or just plunge in? If so, how?
There is no single way to approach the project, but I often paint a "background" first so that there is something for me to work against or with. The background consists of blending some colors together, so all I need to know is the basic color palette I will use. And during the course of the painting process, this color scheme could change entirely.
I never know how a painting will turn out when I begin. Rather than having a concept or design in my head, I like to let the image emerge from the painting process.
